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BRUSH TALK. I THINK, THEREFORE I FLOW INTO ANOTHER. TO GROW (A) PAINTIN(S).  (INSTALLATION VIEW)

WATER, SUGAR, PIGMENT, WOOD.  90 x 270 CM (CIRCA)

THIS IS AN ONGOING PIECE THAT IS/WILL BE EVOLVING INTO VARIOUS VERSIONS OF ITS OWN THROUGH TIME AND SPACES. DEPENDING ON THE CONTEXT, NEW INDIVIDUAL PAINTINGS ARE ADDED INTO THE BIGGER BODY OF IMAGES (WHILE OLD ONES MIGHT BE REMOVED) OR CHANGES OF THE CONSTELLATION OF THE INDIVIDUAL PAINTINGS HAPPEN.


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details
details
details
details
the viewer is encouraged to look from inside the piece
the viewer is encouraged to look from inside the piece
view from inside the piece
view from inside the piece
view from below the piece
view from below the piece
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SOFT STAINS. THINKING LIKE A MOUNTAIN.

ACRYLIC IN SATIN  50 x 500 CM

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CHINESE INK, XUAN PAPER, BRICK, PLASTIC, STONEWARE, MIRROR, GLASS, BLACK TAPE, STEEL.  500  x 800  CM

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I work with the pulsating poetics of painting, on and around its boundaries, stubbornly, in and out. The central force of my practice is a curiosity with the motion of being. Ancient Shanshui paintings fuel my imagination. Moving with water, I paint wet togetherness, and landscapes of my internal situations. While intrigued by the question of how image is impregnated by meaning, I explore how the painterly, in its various disguises, is able to direct consciousness to an instant/a space of intellectual and emotional complex that expands one’s being. On the paint surface, I push, pull and bet on miracles. Fluid and interlocking shapes appear. Paths intertwine and new relationships form. To paint is to dance with and think about nature at the same time.